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    ICE director participates in Cultural Repatriation ceremony with Ambassador of Peru [Image 3 of 15]

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    This is a colonial-era religious painting depicting the Immaculate Conception (Inmaculada Concepción), consistent with Latin American Baroque style, likely from the Cuzco School or similar colonial tradition. The central figure is the Virgin Mary, crowned and robed in embroidered white, red, and blue garments adorned with gold stars and floral motifs, surrounded by cherubs (putti). The painting is housed in an ornate gilded frame and bears a U.S. Department of Homeland Security ICE watermark, suggesting it is documented as part of a cultural property or repatriation case.

    UNITED STATES

    07.06.2012

    Photo by Paul Caffrey 

    U.S. Immigration and Customs Enforcement           

    A repatriation ceremony marking the return of a collection of cultural property, art and antiquities looted from Peru to their rightful owners – the people of Peru, was held July 12. The objects were seized by U.S. Immigration and Customs Enforcement’s Homeland Security Investigations in New York, Delaware, Texas, and West Virginia. The reclaimed objects include nine colonial paintings, a monstrance, and four pre-Columbian objects. Pictured here is a painting of the Virgin of the Immaculate Conception.

    IMAGE INFO

    Date Taken: 07.06.2012
    Date Posted: 07.12.2012 13:18
    Photo ID: 622118
    VIRIN: 120706-O-9999C-177
    Resolution: 2536x3695
    Size: 3.67 MB
    Location: US
    Web Views: 91
    Downloads: 5

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    The image shows a pre-Columbian ceramic vessel photographed against a blue fabric background, bearing an ICE (U.S. Immigration and Customs Enforcement) watermark, suggesting it is a seized cultural artifact. The vessel features a globular body with a cylindrical neck, a modeled human face applied to the neck, and red-on-cream painted geometric decorations on the body. The style is consistent with ancient Andean or Mesoamerican pottery traditions.
    This is a colonial-era religious painting, likely from Latin America (Cuzco School or similar tradition), depicting the Virgin Mary crowned and holding the Christ Child, both wearing crowns. The Virgin is dressed in an elaborate blue and gold brocade mantle and holds a lit candle or scepter, flanked by cherubs and red drapery. The painting is housed in an ornate gilded frame and bears a U.S. Department of Homeland Security ICE watermark, suggesting it is documented as part of a cultural property or art recovery case.
    This is a colonial-era religious painting depicting the Immaculate Conception (Inmaculada Concepción), consistent with Latin American Baroque style, likely from the Cuzco School or similar colonial tradition. The central figure is the Virgin Mary, crowned and robed in embroidered white, red, and blue garments adorned with gold stars and floral motifs, surrounded by cherubs (putti). The painting is housed in an ornate gilded frame and bears a U.S. Department of Homeland Security ICE watermark, suggesting it is documented as part of a cultural property or repatriation case.
    This is a large colonial-era religious painting depicting the Immaculate Conception (Inmaculada Concepción), a common subject in Latin American baroque art. The central figure is the Virgin Mary, crowned and standing on a crescent moon surrounded by cherubs (putti) holding Marian symbols. The painting bears an ICE (U.S. Immigration and Customs Enforcement) watermark and evidence tag, suggesting it was recovered as part of a cultural property investigation.
    This is a religious painting depicting the Nativity or Adoration of the Shepherds/Magi, set within an ornate gilded frame. The scene shows the Virgin Mary holding the Christ Child, surrounded by figures including Joseph, shepherds, and other attendants, with a divine light emanating from above. The painting appears to be a colonial-era or Renaissance-style work, photographed by U.S. Department of Homeland Security / ICE, suggesting it may be a recovered cultural artifact.
    HSI (Homeland Security Investigations) Police officers and civilians are moving a large wooden crate containing a bronze or metal bust sculpture into or out of a building numbered 1700. The operation appears to be an official law enforcement seizure or recovery of a cultural artifact or artwork. A moving truck is backed up to the building's entrance to facilitate the transport.
    The image shows a long, narrow textile artifact photographed against a gray background, bearing an ICE (U.S. Immigration and Customs Enforcement) watermark, suggesting it is a seized or recovered cultural artifact. The textile features intricate woven patterns in orange, red, and dark brown tones with repeating serpentine or zoomorphic motifs. The style and construction are consistent with pre-Columbian Andean textile traditions, possibly Peruvian in origin.
    A hand is holding a small ancient bronze artifact against a blue fabric background. The object appears to be a ceremonial or decorative bronze implement featuring a flat blade-like base and a vertical rod topped with small animal figurines. The image was taken by U.S. Immigration and Customs Enforcement (ICE), suggesting this is a seized cultural artifact.
    The image shows a pre-Columbian double-chambered ceramic vessel, commonly known as a 'stirrup spout' or 'double spout and bridge' vessel, photographed against a blue fabric background. The artifact appears to be from an Andean culture, featuring two globular chambers connected by a bridge handle, with one plain spout and one zoomorphic (animal head) spout. The image bears the ICE (U.S. Immigration and Customs Enforcement) watermark, suggesting this is an evidence photograph of a potentially trafficked cultural artifact.
    A colonial-era religious painting, likely from Latin America (possibly 17th–18th century), depicting a female saint in Dominican habit with a floral crown, surrounded by colorful birds and red flowers. An angel in orange-red robes flies in the upper left, holding what appears to be a scroll or document. The painting bears an ICE (U.S. Immigration and Customs Enforcement) watermark, suggesting it was documented as part of a cultural property or art recovery case.
    The image shows an ornate gold monstrance, a Catholic liturgical vessel used to display the Eucharistic host, photographed against a yellow wall on a blue-draped table. The object features elaborate Baroque-style craftsmanship with a sunburst (ostensorium) design, decorative enamel inlays in teal/turquoise, and a tiered pedestal base. The image bears the official watermark of U.S. Department of Homeland Security ICE, indicating this is likely an evidence or repatriation documentation photograph.
    This is an oil painting in a Baroque style, likely from the 16th or 17th century, depicting a group of six figures in period attire. The scene appears to show a formal or ceremonial interaction, possibly religious or courtly in nature, with figures in clerical black robes and secular noble dress. The painting bears a U.S. Department of Homeland Security ICE watermark, suggesting it is documented as a recovered or seized cultural artifact.
    This is a colonial-era religious painting, likely from Latin America (Cuzco School or similar tradition), depicting two haloed figures in ornate, gold-embroidered dark robes. The taller adult figure with a beard and golden halo appears to be Jesus Christ, holding the hand of a smaller kneeling child figure who also bears a radiant halo and holds a white lily. The painting features an elaborate floral border and bears a U.S. Department of Homeland Security ICE watermark, suggesting it is a documented cultural artifact.
    This is a colonial-era religious painting depicting the Virgin Mary (Madonna) holding the Christ Child, both wearing elaborate golden crowns and richly ornamented garments. The work is characteristic of the Cuzco School (Escuela Cusqueña) style from colonial Latin America, featuring heavy gold embroidery, red decorative bows, and pearl adornments on dark robes. The image bears a watermark from U.S. Immigration and Customs Enforcement (ICE), suggesting it is documented as a recovered or seized cultural artifact.
    This is a colonial-era religious painting depicting the Virgin Mary (Madonna) holding the Christ Child, both wearing golden crowns, consistent with the iconographic tradition of 'Our Lady' venerated in Latin American Catholic art. The figures are surrounded by symbolic elements including lilies, roses, cherubs, a scepter, and an orb with a cross. The painting is housed in an ornate gilded frame and bears a U.S. Department of Homeland Security ICE watermark, suggesting it is documented as a recovered or seized cultural artifact.

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    ICE
    HSI cultural repatriation of artifacts
    Peru

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