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    SD visits Goa, India [Image 24 of 36]

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    Two men dressed in white shirts are examining an ornate gilded wooden altarpiece or decorative panel inside what appears to be a historic religious building or church. One man, wearing glasses, is pointing toward the carved golden woodwork while the other looks on attentively. The setting features elaborate Baroque-style carved wooden panels with figural reliefs and a framed painting.

    GOA, INDIA

    04.10.2016

    Photo by Senior Master Sgt. Adrian Cadiz 

    Office of the Secretary of War Public Affairs           

    Secretary of Defense Ash Carter tours Basilica of Bom Jesus in Old Goa, India April 10, 2016. Carter is visiting India to solidify the rebalance to the Asia-Pacific region.(Photo by Senior Master Sgt. Adrian Cadiz)(Released)

    IMAGE INFO

    Date Taken: 04.10.2016
    Date Posted: 04.10.2016 15:00
    Photo ID: 2513850
    VIRIN: 160410-D-DT527-416
    Resolution: 4928x3298
    Size: 4.96 MB
    Location: GOA, IN
    Web Views: 15
    Downloads: 3

    PUBLIC DOMAIN  

    This work, SD visits Goa, India [Image 36 of 36], by Adrian Cadiz, identified by DVIDS, must comply with the restrictions shown on https://www.dvidshub.net/about/copyright.

    GALLERY

    A man in a dark business suit and pink tie is descending an aircraft stairway from a large commercial or government aircraft bearing the word 'UNITED' in bold black lettering with a blue stripe. The stairway is branded with 'GlobeGround India' markings, indicating the location is likely an Indian airport. The scene appears to be an official arrival or departure event.
    A man in a dark suit with a pink tie is descending the airstairs of a large commercial or government aircraft, flanked by two security personnel in dark suits and sunglasses. The aircraft stairs are branded with 'GlobeGround India' markings, indicating this is likely an arrival at an Indian airport. The scene has the appearance of an official or diplomatic arrival.
    A formal diplomatic or official arrival ceremony is taking place on an airport tarmac, with a Western official in a dark suit shaking hands with a local dignitary. An aircraft with boarding stairs is visible in the background, along with several attendees including military personnel in white naval uniforms. The setting and attire suggest a high-level official visit, likely in South Asia based on the visible 'India' text on signage.
    A group of officials walk across an airport tarmac in front of a United States of America government aircraft, identifiable by its distinctive blue and white livery. The group includes individuals in white naval uniforms with rank insignia and civilians in dark suits, suggesting an official diplomatic or military arrival ceremony. The setting appears to be an international airport, likely in South or Southeast Asia based on contextual visual cues.
    The image shows a blue and white Indian Railways second-class passenger train car. Several passengers are visible, including two men sitting in the open doorway and others visible through the barred windows. The train car displays bilingual signage in Hindi (Devanagari script) and English reading 'Second Class'.
    The image shows the side of an Indian Railways passenger train car numbered 03411, with passengers visible through the windows. The train is painted in the classic blue and light blue color scheme typical of Indian Railways. A destination board in Kannada/Devanagari script reads 'Kulem - Vasco', indicating this is likely the Vasco da Gama route in Goa, India.
    A group of officials and dignitaries are walking together through what appears to be a covered outdoor corridor or mandapam at a Hindu temple complex in South or Southwest India. The procession includes individuals in both Western and traditional Indian attire, suggesting a formal or diplomatic visit to a religious site. The architectural elements in the background, including tiled roofs and a white temple structure, are consistent with Goan or South Indian temple architecture.
    A group of men are gathered inside what appears to be a historic temple or religious building in India. One man with a beard, wearing a khaki vest, is pointing to and explaining an inscribed stone plaque mounted on the wall. The setting features arched architecture and a sign prohibiting photography and videography.
    A group of people are gathered inside what appears to be a religious temple or shrine, characterized by ornate chandeliers, marble floors, and decorative columns. Several individuals are barefoot, consistent with the custom of removing shoes in sacred spaces. A central conversation appears to be taking place between a few individuals, including one man in Western attire and others in traditional Indian clothing.
    A group of people are gathered inside what appears to be a Hindu temple, characterized by ornate crystal chandeliers and marble columns. A man in a white shirt and glasses stands centrally, looking upward, surrounded by individuals in traditional Indian religious attire including priests wearing sacred threads (janeu). The setting suggests a religious ceremony or guided temple visit.
    A group of people are gathered inside what appears to be a Hindu temple, where two priests wearing traditional white dhotis with sacred threads (yajnopavita) are conducting or explaining a ritual. A man in a white dress shirt and khaki pants, likely a visiting dignitary or official, stands facing the priests amid a large crowd of observers. The setting includes temple ritual items such as brass vessels, marigold offerings, and a Nandi (sacred bull) figurine.
    Two men are closely examining an ornately decorated silver shrine or altar enclosure featuring an arched Gothic-style grated door with intricate floral and scroll metalwork. Behind the grated door, a deity figure adorned with colorful marigold garlands is visible. The setting appears to be the interior of a Hindu temple.
    A group of people, including individuals in traditional Indian attire and Western clothing, are walking in a procession along a red carpet at what appears to be a Hindu temple complex in India. A ceremonial staff-bearer leads the group, suggesting an official or dignitary visit. The scene includes a thatched temporary structure and a multi-tiered white temple tower (gopuram-style) visible in the background.
    A group of people are gathered around a colorful rangoli (traditional Indian floor art) on a wooden floor. Two men are crouching down, appearing to examine or add finishing touches to the intricate multicolored design. The gathering includes individuals in both traditional Indian attire and Western clothing, suggesting a cultural or ceremonial occasion.
    A close-up photograph of a person's torso and hands holding a single red rose. The individual is wearing a white button-down shirt with a beige/cream decorative sash or stole featuring a paisley pattern. The image appears to capture a formal or ceremonial moment.
    A group of approximately five to six women dressed in traditional Indian sarees are standing together outdoors, appearing to observe something off-camera. The women vary in age and are wearing sarees in various colors including blue, teal, green, yellow, and cream. The setting appears to be near a religious or civic structure, suggested by the white spire and pink wall visible in the background.
    A group of people are gathered together, with two men prominently in the foreground smiling and posing for a photo. The central figure is a middle-aged man wearing glasses, a white dress shirt, and a traditional beige/cream shawl or stole draped around his neck, suggesting a ceremonial or cultural context. The setting appears to be an outdoor or semi-outdoor public event with multiple people visible in the background.
    A Western man wearing a white shirt and beige shawl/stole is signing a book or document held by an Indian man in a striped kurta and vest. The setting appears to be a cultural or religious institution in India, with several onlookers in traditional Indian attire observing the signing. The occasion appears formal or ceremonial in nature.
    A close-up photograph of a person's hands writing on a document or book held in their hands. The individual is wearing a white dress shirt, a tan/beige blazer, and a dark wristwatch. A second person is partially visible in the background wearing a yellow garment.
    Two men are engaged in a formal exchange or presentation ceremony at what appears to be the Shree [temple/institution] in Mangueshi. The man on the right, wearing glasses and a traditional cream-colored shawl/stole over a white shirt, is receiving or presenting a wooden plaque or item to the man on the left. The setting appears to be an official visit or ceremonial occasion at a religious or cultural institution in Goa, India.
    Four women dressed in traditional Indian sarees are gathered outdoors in conversation. The woman on the far right appears to be speaking animatedly with her hand gesturing, while the others listen and smile. The setting appears to be an outdoor public space with greenery and utility lines visible in the background.
    A man in a white shirt is speaking to a large group of journalists during an outdoor press conference or media scrum. Multiple microphones, recording devices, and a professional video camera are being thrust toward the speaker. A crowd of onlookers and officials stands in the background.
    A group of people are gathered inside what appears to be a historic Catholic church or cathedral, likely in Goa, India, based on the Portuguese Baroque architectural style visible in the background. A clergyman dressed in white robes is gesturing upward, appearing to give a guided tour to the assembled visitors. The group includes individuals in both formal and casual attire, with some appearing to be officials or dignitaries accompanied by security personnel.
    Two men dressed in white shirts are examining an ornate gilded wooden altarpiece or decorative panel inside what appears to be a historic religious building or church. One man, wearing glasses, is pointing toward the carved golden woodwork while the other looks on attentively. The setting features elaborate Baroque-style carved wooden panels with figural reliefs and a framed painting.
    Several individuals are gathered inside what appears to be a Catholic church or religious institution, viewing a reliquary display case. The display contains skeletal remains and bears a placard referencing 'Blessed Rudolf Acquaviva and Companions.' Two men in white clerical robes and a man in civilian clothing are examining the exhibit.
    Two men in white shirts are examining an open ledger or registry book on a white table inside what appears to be a church or religious institution. Wooden crosses are visible on the table, and several other individuals are present in the background. The setting suggests an official visit or signing ceremony at a Christian religious site.
    Two men in white shirts are at a table inside what appears to be a church or religious building. The man on the left, wearing glasses, is writing in what appears to be a guest or visitor book. A wooden cross is visible on the table, and a third person is partially visible in the background.
    A man in a white shirt is holding a decorative plaque or commemorative gift while speaking to a large group of media personnel. He is surrounded by journalists holding microphones, cameras, and smartphones, with an ANI (Asian News International) microphone visible in the foreground. The setting appears to be an outdoor or semi-outdoor location, likely in India given the ANI branding and crowd composition.
    A crowded press event or public appearance is being captured by multiple journalists and attendees using various recording devices. The central focus is a handheld video camera held aloft, with its flip-out LCD screen showing several people, including a man speaking at what appears to be a podium or microphone. The foreground is intentionally blurred, emphasizing the camera screen as the compositional focal point.
    The image shows the Basilica of Bom Jesus in Old Goa, India, a UNESCO World Heritage Site known for its Baroque architecture and laterite stone facade. A crowd of visitors and pilgrims is gathered in the plaza in front of the church, alongside colorful religious banners and display boards. Adjacent colonial-era white buildings are also visible to the right of the basilica.
    A low-light photograph captures a sunset or sunrise over a small urban or semi-urban settlement. The sun appears as a vivid orange-red disc near the horizon, partially obscured by haze or atmospheric smoke. The scene includes buildings, trees, and a tall communication tower silhouetted against a muted, overcast sky.
    An elegant outdoor beach dinner event is taking place at dusk or nighttime, with multiple round tables set with white linens and floral centerpieces arranged on sandy shoreline. The scene is illuminated by tiki torches planted in the sand and candles on the tables, creating a warm ambient glow against the blue twilight sky. Staff members in formal attire are visible both serving guests and standing at attention around the perimeter of the dining area.
    A group of people are gathered at what appears to be a formal evening event or banquet, seated around decorated tables. A man in a white shirt wearing glasses and a beaded necklace is prominently visible, appearing to be engaged in conversation or a handshake with another person. The setting suggests a wedding reception or formal dinner based on the chair decorations and ambient lighting.
    A nighttime outdoor ceremony, likely a wedding, photographed through a gap in tropical foliage. The scene is illuminated by string lights, a chandelier-style light fixture, and candles, creating a warm, intimate atmosphere. The gathering appears small, with seated guests facing a draped table or altar.
    Two men are engaged in what appears to be a gift exchange or presentation ceremony, with one man in a white shirt and bead necklace examining an item being handed to him by a man in a dark striped shirt. The setting appears to be an outdoor or semi-outdoor evening event, with a decorative ship model visible in a glass display case behind them. A third person is visible smiling in the background.
    Two men are engaged in a formal handshake exchange, with one man wearing a lei/flower garland necklace and a white shirt, and the other in a dark striped shirt holding a wrapped gift. The setting appears to be an indoor venue with decorative elements including model sailing ships displayed in a glass case behind them. The atmosphere suggests a diplomatic or ceremonial gift exchange event.

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    India
    Goa
    Ash Carter
    ashcarter
    Manohar Parrikar
    DOD
    Department of Defense
    Pentagon
    Secretary of Defense

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