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    Qatar Passes Provide War Fighters a Needed Respite [Image 7 of 11]

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    A bald man in a blue-grey sweater is photographing a golden mask displayed in what appears to be a museum exhibit case. A woman with dark hair is visible behind him, also observing the artifact. The golden mask appears to be an ancient or decorative face mask mounted on a grey display wall.

    DOHA, QATAR

    11.28.2009

    Photo by Dustin Senger 

    Area Support Group - Qatar

    U.S. Army Sgt. Benjamin Kassaw, from Montros, Colo., photographs an exhibit at the Museum of Islamic Art in Doha, Qatar, Nov. 28, 2009. The museum holds fragments of Islamic history, such as manuscripts, textiles and ceramics. Many exhibits originate from Turkey, Egypt, Iraq, Iran and India. The museum first opened its doors to visitors on Dec. 1, 2008.

    IMAGE INFO

    Date Taken: 11.28.2009
    Date Posted: 11.29.2009 12:51
    Photo ID: 227702
    VIRIN: 091128-A-9466S-064
    Resolution: 2859x1899
    Size: 1.67 MB
    Location: DOHA, QA
    Web Views: 177
    Downloads: 18

    PUBLIC DOMAIN  

    This work, Qatar Passes Provide War Fighters a Needed Respite [Image 11 of 11], by Dustin Senger, identified by DVIDS, must comply with the restrictions shown on https://www.dvidshub.net/about/copyright.

    GALLERY

    A U.S. Army soldier in ACU (Army Combat Uniform) is interacting with a group of local children in what appears to be a Middle Eastern setting, allowing one child to look through a Nikon camera. The scene takes place in an open, arid area with military vehicles, a water tanker truck, and a large crowd of civilians visible in the background. The interaction appears to be part of a humanitarian or civil affairs operation.
    A U.S. Army soldier is seated inside what appears to be a military transport aircraft, reading or writing in a book or document. Multiple soldiers are visible in the background, seated along the interior of the aircraft. The setting is consistent with a military airlift operation.
    The image is taken from inside a 4WD vehicle being driven across a flat desert landscape. A convoy of at least three other white SUVs is visible ahead, navigating the sandy terrain. The scene appears to be a desert safari or off-road convoy activity in an arid region.
    A social gathering inside a home where a bald man in a white shirt is being licked on the face by a tan/brown dog he is holding up. Several people are present in the room, smiling and laughing at the interaction. Two dogs are visible, and the setting appears to be a well-furnished living and dining area.
    Two museum visitors, a woman in a pink top and a bald man in a striped Polo Sport shirt, are conversing in front of a large medieval armored knight-on-horseback display exhibit. The exhibit features elaborate golden/metallic horse armor and a fully armored knight figure. Additional visitors are visible in the background of what appears to be a well-lit museum gallery.
    Two visitors at a museum are closely examining and photographing a decorative golden bird figurine displayed in a glass case. A bald man in a gray shirt holds a DSLR camera while a woman in a pink top wearing glasses leans in for a closer look, also holding a camera. Several other museum visitors are visible in the background.
    A bald man in a blue-grey sweater is photographing a golden mask displayed in what appears to be a museum exhibit case. A woman with dark hair is visible behind him, also observing the artifact. The golden mask appears to be an ancient or decorative face mask mounted on a grey display wall.
    A group of visitors walks across a paved plaza in front of a large, geometric limestone building that appears to be the Museum of Islamic Art in Doha, Qatar. Four people are prominently featured in the foreground, dressed in casual Western clothing, with additional visitors visible near the building's entrance. The scene is set under a clear blue sky with warm, golden-hour lighting.
    Four people are walking outdoors in front of a large modernist building with geometric Islamic architectural influences, likely the Museum of Islamic Art in Doha, Qatar. The group consists of two men in the foreground and two individuals behind them, all appearing to be tourists or visitors. The scene is set on a stone-paved plaza under a clear blue sky.
    An elderly man wearing a traditional red-and-white keffiyeh (ghutrah) and black agal headband is working at a jewelry crafting workbench, carefully manipulating fine wire or thread with pliers. He is surrounded by an extensive collection of beads, pearls, and jewelry-making supplies stored in numerous yellow-lidded glass jars on wooden shelves. The setting appears to be a traditional jewelry or bead shop, likely in the Arabian Gulf region.
    A jewelry shop scene showing an elderly male vendor wearing traditional Gulf Arab attire (thobe and keffiyeh) working with beads or jewelry at a counter, while two female customers browse and examine merchandise. The shop is well-stocked with pearl necklaces hanging on a wooden display board, numerous small jars containing beads and jewelry components on shelves, and various jewelry items spread across the counter. One customer in a pink top appears to be handling currency, suggesting a transaction is in progress.

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