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    Travelers in / Travelers Out [Image 11 of 13]

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    A large military or cargo aircraft is captured in silhouette during a nighttime takeoff or landing at an airfield. The aircraft's landing lights are prominently illuminated, creating bright glowing orbs against the dark blue sky. A control tower and airfield lighting infrastructure are visible in the background.

    TRAVIS AIR FORCE BASE, CALIFORNIA, UNITED STATES

    04.17.2009

    Photo by Lance Cheung 

    Defense Media Activity - Air Force       

    C-5 Galaxy takes-off from Travis Air Force Base, Calif., for Hickam Air Force Base, Hawaii, on the evening of April 17. The aircraft and crew are assigned to the 433 Aircraft Maintenance Squadron, Lackland Air Force Base, Texas.

    IMAGE INFO

    Date Taken: 04.17.2009
    Date Posted: 05.13.2009 20:26
    Photo ID: 171695
    VIRIN: 090417-F-2907C-174
    Resolution: 3300x1742
    Size: 5.81 MB
    Location: TRAVIS AIR FORCE BASE, CALIFORNIA, US
    Web Views: 118
    Downloads: 14

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    This work, Travelers in / Travelers Out [Image 13 of 13], by Lance Cheung, identified by DVIDS, must comply with the restrictions shown on https://www.dvidshub.net/about/copyright.

    GALLERY

    A military personnel member wearing camouflage uniform is using a virtual reality headset and holding a controller in a red-lit room. A second person in civilian clothing is seated at a workstation with monitors, keyboard, and mouse, appearing to operate or monitor the VR session. The setup suggests a military training simulation environment.
    A military training simulation environment where one service member wearing a VR/AR headset and holding a rifle prop is engaged in a virtual reality combat training exercise. A second person, likely an operator or instructor, is seated at a computer workstation monitoring the simulation. The room is illuminated with red ambient lighting, creating a distinctive atmosphere typical of simulation training facilities.
    The image shows a therapist manual for a Virtual Reality Exposure Therapy (VRET) application designed to treat Post-Traumatic Stress Disorder (PTSD), specifically for Iraq War scenarios dated September 2007. The manual was produced collaboratively by VRPSYCH LAB, the Institute for Creative Technologies, and the University of Southern California (USC) Mixed Reality lab. Accompanying the manual are a bag of small labeled scent vials and what appears to be a replica or prop firearm, likely used as multisensory components of the VR therapy system.
    A young woman sits in a waiting room holding a sleeping infant wrapped in a pink blanket while looking at her smartphone with earbuds in. The room is filled with other people seated in teal/blue chairs, suggesting a public waiting area such as a government office, clinic, or transportation terminal. The scene captures a candid, everyday moment of a mother multitasking while caring for her baby.
    A young blonde girl wearing a pink shirt with floral details is peering through a rectangular opening or tunnel, viewed from the inside looking out. The photo is taken from a low, ground-level perspective through what appears to be a play structure or equipment with stacked rectangular frames creating a tunnel effect. Other people are partially visible in the background.
    A young girl with blonde hair and a pink outfit is lying on the floor, peering through the stacked openings of what appears to be a series of nested or stacked oven doors or similar appliances. She is smiling directly at the camera, creating a playful tunnel-vision framing effect. The image is taken from a low angle, using the repeating rectangular frames as a creative compositional device.
    A family group is gathered in what appears to be an airport waiting area or terminal gate, surrounded by luggage and bags. An adult male wearing a black cap and gray polo shirt is seated and attending to a toddler sitting on the floor, while two older children interact nearby. The scene depicts a typical travel waiting scenario with multiple bags, a stroller, and scattered belongings.
    A man wearing a dark cap and gray shirt sits on a chair in what appears to be an airport waiting area, watching over a young blonde toddler sitting on the floor. The child is focused on a small object in his hands, surrounded by luggage including a teal patterned bag and a black backpack. The setting suggests a travel waiting area with other passengers visible in the background.
    A military service member in woodland camouflage BDUs appears to be processing or briefing civilians in what looks like a waiting area or reception hall on a military installation. The scene shows multiple families with children, luggage, and backpacks, suggesting a check-in, evacuation, or family day event. The service member is holding papers and appears to be speaking with a civilian man carrying a backpack.
    A group of adults, predominantly middle-aged to elderly, are seated inside a school bus. The interior shot shows multiple rows of passengers facing toward the camera, suggesting a group outing or tour. The bus features standard school bus safety markings including 'Emergency Exit' signs.
    A large military or cargo aircraft is captured in silhouette during a nighttime takeoff or landing at an airfield. The aircraft's landing lights are prominently illuminated, creating bright glowing orbs against the dark blue sky. A control tower and airfield lighting infrastructure are visible in the background.
    A large multi-engine military or commercial aircraft is photographed from below against a deep blue twilight or night sky. The aircraft is silhouetted with its navigation and wing lights illuminated, revealing a wide-body configuration with four engines mounted under the wings. The low-light conditions render the aircraft almost entirely in dark silhouette.
    A large military or cargo aircraft is photographed from below against a deep blue twilight sky. The aircraft is silhouetted with a bright landing or taxi light illuminated on its underside. The image was taken at dusk or dawn, giving the sky a rich, dark blue tone.

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    Lance Cheung

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